![]() But that isn’t strictly correct: there is an invisible additional offset of -6db, that we applied in Offset Mode, but now isn’t visually displayed (except in the audio meter). On the down-side, both the level of the envelope and the Volume control value are indicating that the level is being adjusted from 0 to -6db. Warning: Be aware of the invisible offset value Of course, using our ears and looking at the Track Meters, we can tell that the track audio is now playing back -6db quieter, which is what we intended. Back in Envelope mode, after making a -6db offset adjustment Back in Envelope Mode, the track now looks like this during playback: Fig 7. Tip: Switch back to Envelope Mode to avoid accidental changesīecause it is less easy to make accidental adjustments in Envelope Mode, it is a good idea to switch back to it, and only use Offset Mode when we need it. During playback, the envelope then applies the -6 reduction and the output has been lowered and is now -18 db during that segment of the timeline. Lowering the overall volume by 6 db in Offset Mode (during a looped section)Īfter we apply the manual adjustment, you can see from the audio meter that the output volume at the start of the clip is now at -12db. we have looped playback over the clip, and I change the volume “offset” from 0 to -6, which lowers the envelope values by -6 over the whole timeline. Now, say we want to adjust the overall level of the track, but retain the envelope shape. ![]() Switching to Offset Mode changes the Volume control “envelope” symbol to a plus sign, but other than that, there is no change: Fig 5. In Offset Mode, you “offset” the current automation in a track using a parameter’s controls. In Envelope Mode, volume and pan faders follow the project’s automation and do not respond to changes you make in real-time.
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